At a Mentoring and Inspiring Women in Radio webinar, broadcasters described artificial intelligence as a practical aid for generating ideas, preparing advertising copy and finding new uses for material already made for the airwaves. Their warning was equally clear: the technology can assist the work, but people must supply the judgement, accuracy and personality that make radio distinctive.

The “AI for Content Creators” session brought together moderator Meg Dowdy, Townsquare Media’s regional content director and national contesting director, with Audacy’s Andre Yancey, Houston presenter Lauren “Lo” Sessions, and iHeartMedia San Francisco co-hosts Carolyn McArdle and Cort Johnson. The 45-minute discussion and question-and-answer session had been billed as a practical look at applying AI across radio and digital production while preserving the character listeners value, according to advance coverage by The Local Radio Newsletter and TV News Check.

Sessions said she turns to AI for fresh approaches to trending stories and questions that connect with Houston audiences, rather than relying on generic suggestions. “AI doesn’t know what it’s like to be me, right?” she said, adding: “I think you can push back on AI. You don’t have to accept the first answer that it gives you.” The principle was echoed by Yancey, who described shaping prompts around the comic style and background of former colleague Ed Lover, while stressing that generated material needs human scrutiny. “The fact-checking isn’t there because we know AI hallucinates more than it doesn’t,” he said.

For McArdle and Johnson, one of the most useful applications is producing a first draft of endorsement or speculative adverts from client information. McArdle said the process could save substantial time, but the copy still needed to be checked and rewritten: AI might omit crucial details, including a telephone number or website. Johnson said he transfers drafts into Word and reworks them in his own voice, using the machine’s version as a framework. He also described experimenting with AI-generated graphics, which could look polished but sometimes felt too polished. Radio Ink’s account of the webinar presents these examples as assistance with production, not a substitute for the presenters’ own editing.

The risks of skipping that edit became vivid when McArdle recalled nearly reading a chatbot’s follow-up question during a live commercial. After asking the system to revise an endorsement, she left its question in the script. Spotting the stray line as she read ahead, she abandoned the copy and finished by directing listeners to the client. “Just make sure you proof everything,” she said. The incident underlined the gap between a fluent-looking draft and material ready for broadcast.

The panellists also discussed extending the life of existing work. Sessions adapts a short pop-culture feature for social video, while Yancey uses Opus and CapCut to identify shorter extracts from air checks and shares a monthly newsletter showing sales and corporate teams what the station has produced. “We don’t always need to create more content. But sometimes we just need to get more mileage out of the content that we’re already creating, you know,” Sessions said. Dowdy recommended a prompting technique that gives the AI a role, relevant context and a specific aim, then asks what further information it needs. “Don’t waste time struggling trying to come up with the perfect prompt,” she said.

Yancey said his own early error was treating AI like a search engine, an approach he later abandoned. His broader message was that managers should help staff use the tools without losing their grounding: “If we can stay true and have integrity with our craft and then use AI as a second nature aspect, that’s how us in leadership can really get our talent to grow and stay within the realms of reality.” MIW said it plans to announce a full programme of free educational webinars for 2027, with details to be shared through its email newsletter.

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Source: Noah Wire Services